This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Greetings Barbara There is the reality that the C5 fork sounds louder and is easier to hear than the A4 fork for some reason, but that may be due to my brand of forks. But since musicians tune from A440 the piano tuner might like to have an A440 fork in case the musicians ask for an a440 source. The debate whether to tune the piano from a C fork or A fork might should be up to the piano tuner, who knowing the musicians tune from an A has better reasons to tune from C . The bottom line is the musicians approve, or rather don't object. I would like to form a support group for tuners who never get "respect" from the musicians. Or a support group that gets support from tuners who musicians rave about. as if ! ---ric "All truths are easy to understand once they are discovered; the point is to discover them." Galileo Galilei (1564-1642); Italian astronomer and physicist. -----Original Message----- From: pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org] On Behalf Of Barbara Richmond Sent: Monday, August 23, 2004 12:11 PM To: Pianotech Subject: Re: Hearing beats Hi Ric, I never was taught to count beats either by my teacher in 1981. It was more, fast or slow or "the quality or characteristic" of the intervals. To top it off, I learned the F-F temperament setting 4ths & 5ths and using 3rds, 6ths etc. as my tests. Gosh, should I include that I use a C fork? (Had my "A" there with me for the test.) I have a little joke going with a well-respected tech about forming a C-Forks Anonymous group. :-) Hi, my name is Barbara......... ----- Original Message ----- From: Richard <mailto:remoody@midstatesd.net> Moody To: 'Pianotech' <mailto:pianotech@ptg.org> Sent: Sunday, August 22, 2004 11:06 PM Subject: RE: Hearing beats I trained from aural tuners in the early 70's. I was told, "this third is too fast" or "this third is too slow" and this would be pointed out in playing a succession of 3rds either contiguous, but mostly chromatic within the temperament octave. The first test of temperament was how evenly the 3rds progressed chromatically. Then they went after the 5ths. ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/70/4c/4b/a7/attachment.htm ---------------------- multipart/alternative attachment--
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