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Tremaine
Nice to hear form you. Well ,I guess if I like the sound of the old L
strings I could simply measure I.D. & O D. , have them rerpoduced & just forgo
the scaling altogether except I'm interested in accurate measurments & even
tensions.. So how does one know if the tension programs one is using is
actually the ( correct) one?
Ari Isaac was the one I had the experience with the L strings many loong
years ago. His scaling for my taste was always (almost way to heavy & irratic.
In fairness he' probalby learned a few things since then as we all have but
I never hear from any one on this list that uses them. I do know one can
scale a stwy B set to heavy & kill the sustain & natural beauty of a stwy Bass
end.
AmHIK.
Dale
The Sanderson (Pscale) Break Percent formula calculates the top 10 bichords
of an original Steinway L scale to be in the 55% to 67% of Break Point range.
In fact, from what I have been able to determine, the Sanderson formula
calculates Break Point at about 4% higher than whatever formula Del is using.
Given that the tensile strength of today's wire is said to be higher, I just
interpret the Sanderson calculation with this in mind.
Tremaine Parsons
----- Original Message -----
From: _Delwin D Fandrich_ (mailto:fandrich@pianobuilders.com)
To: _'Pianotech'_ (mailto:pianotech@ptg.org)
Sent: Saturday, June 25, 2005 5:59 PM
Subject: RE: Arledge Bass strings
What are you using to calculate the percentage of breaking strength? If it
is the formula presented by Al Sanderson and used by Tremaine Parsons, it is
incorrect.
The Model Ls I've measured come to the high 50%/low 60% range. At least when
compared to the real-world tensile strength of the wire in use today.
Del
____________________________________
From: _pianotech-bounces@ptg.org_ (mailto:pianotech-bounces@ptg.org)
[mailto:pianotech-bounces@ptg.org] On Behalf Of Erwinspiano@aol.com
Sent: June 25, 2005 5:34 PM
To: pianotech@ptg.org
Subject: Arledge Bass strings
List
Speaking of strings, I've had the pleasure now of using about 6 sets of
the Arledge strings & I like them very much. I like the neatness of the
wraps etc. But as much as this I find the tone color of the scaling a bit darker
thru out but I find it especially refreshing in the top of the bass scales
where typically many makers get a bit thin & whiny sounding which I believe
is a tension problem.
I haven't checked but I'd guess at a bit heavier scaling being employed
which, in my limited scaling experience gives a darker tone with more power.
IE the Old 1920's stwy L scale in the region of notes 20 - 26 were scaled
toward the 70% of breaking strength & they sounded awesome. When on occasion
I have replaced sets where the tension was reduced in this area the tone
suffers greatly. ON having it corrected the tone came back. I'm not finding this
weakness in the Arledge strings at present.
I'm interested in any ones feedback be it objective or subjective.
Cheers
Dale Erwin
Oh & I like personal service, southern hospitableness & a can do attitude.
!!!!!!!!!
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