---------------------- multipart/alternative attachment Tremaine Nice to hear form you. Well ,I guess if I like the sound of the old L strings I could simply measure I.D. & O D. , have them rerpoduced & just forgo the scaling altogether except I'm interested in accurate measurments & even tensions.. So how does one know if the tension programs one is using is actually the ( correct) one? Ari Isaac was the one I had the experience with the L strings many loong years ago. His scaling for my taste was always (almost way to heavy & irratic. In fairness he' probalby learned a few things since then as we all have but I never hear from any one on this list that uses them. I do know one can scale a stwy B set to heavy & kill the sustain & natural beauty of a stwy Bass end. AmHIK. Dale The Sanderson (Pscale) Break Percent formula calculates the top 10 bichords of an original Steinway L scale to be in the 55% to 67% of Break Point range. In fact, from what I have been able to determine, the Sanderson formula calculates Break Point at about 4% higher than whatever formula Del is using. Given that the tensile strength of today's wire is said to be higher, I just interpret the Sanderson calculation with this in mind. Tremaine Parsons ----- Original Message ----- From: _Delwin D Fandrich_ (mailto:fandrich@pianobuilders.com) To: _'Pianotech'_ (mailto:pianotech@ptg.org) Sent: Saturday, June 25, 2005 5:59 PM Subject: RE: Arledge Bass strings What are you using to calculate the percentage of breaking strength? If it is the formula presented by Al Sanderson and used by Tremaine Parsons, it is incorrect. The Model Ls I've measured come to the high 50%/low 60% range. At least when compared to the real-world tensile strength of the wire in use today. Del ____________________________________ From: _pianotech-bounces@ptg.org_ (mailto:pianotech-bounces@ptg.org) [mailto:pianotech-bounces@ptg.org] On Behalf Of Erwinspiano@aol.com Sent: June 25, 2005 5:34 PM To: pianotech@ptg.org Subject: Arledge Bass strings List Speaking of strings, I've had the pleasure now of using about 6 sets of the Arledge strings & I like them very much. I like the neatness of the wraps etc. But as much as this I find the tone color of the scaling a bit darker thru out but I find it especially refreshing in the top of the bass scales where typically many makers get a bit thin & whiny sounding which I believe is a tension problem. I haven't checked but I'd guess at a bit heavier scaling being employed which, in my limited scaling experience gives a darker tone with more power. IE the Old 1920's stwy L scale in the region of notes 20 - 26 were scaled toward the 70% of breaking strength & they sounded awesome. When on occasion I have replaced sets where the tension was reduced in this area the tone suffers greatly. ON having it corrected the tone came back. I'm not finding this weakness in the Arledge strings at present. I'm interested in any ones feedback be it objective or subjective. Cheers Dale Erwin Oh & I like personal service, southern hospitableness & a can do attitude. !!!!!!!!! ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/32/73/be/a1/attachment.htm ---------------------- multipart/alternative attachment--
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