Hi, Tom. You probably came close to the real story, but look how long it took us as a group of people with inside knowledge of the realities to dredge that up from the swamp. Meanwhile, the story as reported by the tech & the story writer has done its job of skewing the public's idea of how a professional tech works, and appointed himself and his ways as the keepers of the flame and the One True Way. Nobody made him adjust his story-telling from honest to blowhard. I would be eternally embarassed to have ever once treated the artist, the hall, and/or my employer with the profound disrespect implicit in his story as he told it. To proudly trumpet it as a war story representative of one's capabilities is beyond my understanding. Somebody in a position of such responsibility ought to have better sense than to telegraph to his future clients how he might take care of their needs. -Mark Schecter Tom Servinsky wrote: > Sounds like a rebuttal letter or interview should be the next move for > the LA Times to print. Get going LA techs, here's your opportunity to > take a stance to create some fair and balance informational reporting. > Although I too found some pretty big tall-tail, story telling issues in > this story, I'm going give Mr. Elliot a small pass. First of all , I > doubt if he called the Times and asked for an interview. Probably it was > a writer who happened to be in the stage area, needed a story, ran into > Mr. Elliot, and before you know it, there's a story. Factual or not.... > a story. And if you do have that type of position taking care of > important halls, your skill aren't too shabby! And like it or not, > die-hard aural tuners still find the use of ETD as a sign of artistic > void. Anyone who uses doesn't deserve to be in this position. > To Mr. Elliot's defense, I have been interviewed dozens of times for > feature articles by our Tri- county newspapers. Each and every time, the > journalist ended up getting the message wrong....way wrong. It is as > though they never got it from me in the first place. > That being said, I found it humorous to walk through the logic on his 10 > min. interlude as he blessed the piano and pronounced it fit for the > artist. In all actuallality the series of events went more like this. > Blessed tech raced through his first tuning earlier that day. Tech > probably not on top of his game(that day). Been there done that. > Artist banged the hell out of it during rehearsal > Artist expected a follow up touch up of tuning prior to concert > No Tech returns > Artist is getting nervous > Artist calls to complain > Tech summoned to get the hell over here pronto > Tech arrives 10 mins. prior to concert > Tech has sweat running down both eye brows hoping this doesn't issue > doesn't get back Steinway > Tech cleans up some unisons > Tech gets an evil stare from the Artist and Carnegie staff > Carnegie staff informs him this better not happen again > 5 yrs later, Tech rewrites the events of the day....fails to include why > things went wrong, who was wrong, and includes more heroics to dress up > story. > 6 yrs later, article appears in newspaper. > Tom Servinsky > > ----- Original Message ----- From: "David Love" > <davidlovepianos at comcast.net> > To: <schecter at pacbell.net>; "'Pianotech List'" <pianotech at ptg.org> > Sent: Monday, September 04, 2006 1:01 AM > Subject: RE: LA Times article > > >> Couldn't have said it better. >> >> David Love >> davidlovepianos at comcast.net >> www.davidlovepianos.com >>
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