Maybe someone who actually knows this "guy" should tell him that! As if it would do any good! Avery At 09:28 AM 9/4/2006, you wrote: >Hi, Tom. > >You probably came close to the real story, but look how long it took us >as a group of people with inside knowledge of the realities to dredge >that up from the swamp. Meanwhile, the story as reported by the tech & >the story writer has done its job of skewing the public's idea of how a >professional tech works, and appointed himself and his ways as the >keepers of the flame and the One True Way. Nobody made him adjust his >story-telling from honest to blowhard. I would be eternally embarassed >to have ever once treated the artist, the hall, and/or my employer with >the profound disrespect implicit in his story as he told it. To proudly >trumpet it as a war story representative of one's capabilities is beyond >my understanding. Somebody in a position of such responsibility ought to >have better sense than to telegraph to his future clients how he might >take care of their needs. > >-Mark Schecter > > >Tom Servinsky wrote: >>Sounds like a rebuttal letter or interview should be the next move >>for the LA Times to print. Get going LA techs, here's your >>opportunity to take a stance to create some fair and balance >>informational reporting. >>Although I too found some pretty big tall-tail, story telling >>issues in this story, I'm going give Mr. Elliot a small >>pass. First of all , I doubt if he called the Times and asked for >>an interview. Probably it was a writer who happened to be in the >>stage area, needed a story, ran into Mr. Elliot, and before you >>know it, there's a story. Factual or not.... a story. And if you do >>have that type of position taking care of important halls, your >>skill aren't too shabby! And like it or not, die-hard aural >>tuners still find the use of ETD as a sign of artistic void. Anyone >>who uses doesn't deserve to be in this position. >>To Mr. Elliot's defense, I have been interviewed dozens of times >>for feature articles by our Tri- county newspapers. Each and every >>time, the journalist ended up getting the message wrong....way >>wrong. It is as though they never got it from me in the first place. >>That being said, I found it humorous to walk through the logic on >>his 10 min. interlude as he blessed the piano and pronounced it fit >>for the artist. In all actuallality the series of events went more like this. >>Blessed tech raced through his first tuning earlier that day. Tech >>probably not on top of his game(that day). Been there done that. >>Artist banged the hell out of it during rehearsal >>Artist expected a follow up touch up of tuning prior to concert >>No Tech returns >>Artist is getting nervous >>Artist calls to complain >>Tech summoned to get the hell over here pronto >>Tech arrives 10 mins. prior to concert >>Tech has sweat running down both eye brows hoping this doesn't >>issue doesn't get back Steinway >>Tech cleans up some unisons >>Tech gets an evil stare from the Artist and Carnegie staff >>Carnegie staff informs him this better not happen again >>5 yrs later, Tech rewrites the events of the day....fails to >>include why things went wrong, who was wrong, and includes more >>heroics to dress up story. >>6 yrs later, article appears in newspaper. >>Tom Servinsky >> >>----- Original Message ----- From: "David Love" <davidlovepianos at comcast.net> >>To: <schecter at pacbell.net>; "'Pianotech List'" <pianotech at ptg.org> >>Sent: Monday, September 04, 2006 1:01 AM >>Subject: RE: LA Times article >> >>>Couldn't have said it better. >>> >>>David Love >>>davidlovepianos at comcast.net >>>www.davidlovepianos.com
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