Hi Ric, I guess my question that started this great discussion was really can one start with a given ( the bass strings ) and produce a scale that will compliment them. Joe Goss RPT Mother Goose Tools imatunr at srvinet.com www.mothergoosetools.com ----- Original Message ----- From: "Ric Brekne" <ricbrek at broadpark.no> To: <pianotech at ptg.org> Sent: Friday, September 29, 2006 7:13 AM Subject: Call for scaling spreadsheets > Hi Stéphane > > Why yes, of course we want to look at the overall amount of > inharmonicity in re-scaling. My point was that once you settle on a > standard to use for calculating... then that becomes your > <<reference>>. Any reference (within reason of course) can be used to > evaluate both note to note inharmonicities and overall levels yes ? > > Now of course if you run into a formula for Inharmonicity that doesnt > even come close to representing real levels then you have a problem ... > :) But anything reasonably close to real inharmonicity levels should > serve the purpose well... as long as you remain consistant in your usage > of it. > > I'm not sure about a link between inharmonicity and projection... tho I > havent really thought about it that way. Usually I associate projection > with loudness/power which is more a function of tension I think.... I'm > relatively new at all this so I am sure others will pipe in with needed > corrections. > > Yes ?? > > Cheers > RicB > > Hi Ric. > > While evenness of inharmonicity seems indeed obviously desirable, don't we > want to be able to evaluate the overall inharmonicity of a piano ? I mean > you can desing a scale that will be even in inharmonicity, but whose > overall > inharmonicity is so high that the piano sounds funny, same (but less > probable) for a piano with too low inharmonicity. Isn't there a link > between overall inharmonicity and "projection" (ability of the piano to > fill > a space with it's sound) ? There is certainly a link between overall > inharmonicity and personnality (sorry for that vague and subjective word). > > Regards > > Stéphane Collin
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