Hi Bob
All god questions. The answer is part economics & part Philosphy
This low tenor is a problem I am finding pretty
consistently on B's. I have four B's that I service
and the tonal problem on the first 3 to 5 plain
strings is worse the older the piano is. The 1978 B
is the oldest I tune and it is really bad.
Bob, you have discovered what many Belly heads /Tech's & Musicians have
come to consider a huge engineering fault or weakness in the Stwy B and also
in other 7 ft & shorter pianos with this configuration.
On your 1978 B may I suggest that the worse the board is the more voicing
difficulty you will encounter. Or & also even if the boards be agreeable the
hammer care in this piano is critical to masking some of this inherent
weakness. BTW I will also state that many of my favorite S&S's pianos come from
the CBS years & not from the magic 1920's. Yes the actions were dismal
(teflon)but the belly men were doing a good job by in large & using nice tight grain
Sitka spruce which holds up better under C.C. methods than Eastern or
Engleman spruce.
Also In case you missed any of the strike line discussion recently the
treble strike lines in B's can make even a good sounding board, be it original
or replaced, sound weak & nasal.
Still we/I love the piano with all it's warts.
How would you rate the severity of the problem on the
1953 B?
The problem is the same on all B's & this one no exception.
Also, on a board that is 53 years old don't
you have some trepidation about how good of a job it
will be doing in the next 10 - 20 years after all this
work and expense?
Excellent question. In this specific case I have zero trepidation. In
others where I'm sensing some or if I have any, the board comes out.
My general philosophy is if ain't broke ......don't fix it. But I'm not
one to avoid the just fix it, in case you haven't noticed.
There are no cracks in the board & little if any compression ridge damage
in evidence. This piano came from a one owner family in the San Diego region,
a very meditaranean climate. It had no bearing but adequate but marginal
crown. I did the action replacement first & the piano had a lovely dark singing
voice prior to belly work.
I purchased the piano for resale. If the piano needed a board it would
have gotten one. That being said , the piano has received a new custom made pin
block. I lowered the treble end 1 mm to pick up treble bearing & the plate
dowels were just high enough so that when I cut them down the plate after being
lowered made the bearing & the crown a very good match. The improved sound,
because of this procedure, has produced a wonderful sounding instrument that
in my opinion can go 25 to 30 years down the road & still produce a stunning
& excellent musical sound.
One thing to keep in mind about Steinways is, that in my opinion, & based
on my experience, compared to the crown of new rib crowned/supported boards,
most Stwys have/had little crown to start with. It's my opinion tonally the
S&S's get by with fairly little crown as long there is some bearing. Many
things work when it comes to boards & tonal output. I don't have all the
answers but I do know tonal vitality when I hear it.
How do you weigh the possibility of
it losing the ability to do its job in the future? If
it's done well for this long, perhaps it will continue
for another 53.
First, all boards will eventually lose there ability, however, I am
confident of this piano's ability to project & produce a very good sound for a
long time. It's not overloaded with bearing & the crown in the board is being
utilized. Even though the board is pushed basically flat keep in mind many
Stwys work well with original boards in this configuration. Also the Ca.
climate is easy on the C.C. crowned soundboards.
In cases like this any technician crawling under neath with a belly string
trying to determine crown will state he didn't find any. But don't make the
mistake of thinking the board isn't set up right especially when it has the
voice of an Angel!
The pianos for sale if any one's interested
Regards
Dale
Bob Hull
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