To Anonymous
I notice you don't sign your posts. May I politely ask ---Who are you?
I prefer to know who I correspond with.
Please explain the highlighted part of your post below. It's not clear.
Do you mean wrapped string on the original bridge placement. If so I've
done that with trichords which makes it better but it's not enough & the
tri-chords are problematic.
Regards
Dale Erwin
anonymous writes
I find it interesting to see the work some people here do by changing the
bridge on the B. The B scale is in terms of scale construction quite old
fashioned with the extreme shortening of the speaking lenghts towards the "breake"
and low tenor and that is the reason why it is so difficult to voice the
piano in that area.
Changing the tenor bridge is a way to smooth out this strange construction.
Rather brilliant actually.
What I wanted to say is that you can do a similar thing by changing some of
the low tenor steel with wound strings calculated to fit the old bass and
the tenor.
If for some reason the customer or a later customer wants the original it is
easy to bring it back.
Personally I do like this grand piano.
************************************** See what's free at http://www.aol.com.
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