Both when referring to new strings, and old,
defubbimized ones ??? I find that over-twisting
makes them "clangy". ( also more prone to breakage. )
I just did 2 full twists on an old player, hoping to
brighten the tone, a bit. ( haven't pulled it up, yet
) I wouldn't do more than that, though.
G
--- PAULREVENKOJONES <paulrevenkojones at aol.com> wrote:
> Totally correct. I should have explained further,
> Ron. Thanks.
>
> Paul
>
> "If you want to know the truth, stop having
> opinions" (Chinese fortune cookie)
>
>
> In a message dated 08/04/07 12:39:31 Central
> Daylight Time, rnossaman at cox.net writes:
>
>
> > I'm not sure where I heard it, but I thought a
> twist in a plain-wire
> > string would bring about ("false") beating.
>
> That's one of those things everyone is taught,
> everyone knows,
> but no one actually sees happen in a piano.
>
>
> >As you point out it shortens
> > the length of what is being twisted (one, maybe
> two string(s) of a
> > three-string "unison") resulting in a need for
> higher tension in one,
> > maybe two string(s) of a three-string "unison".
> What does that do to the
> > "unison?" I put "unison" in quotes, 'cuz I'm
> wondering if they all make
> > "one sound," i.e. "uni-son". While it may not
> result in beating, I
> > would expect that the twisted string(s) would
> produce a different sound
> > than untwisted neighbor string(s).
>
> If you put four turns on one wire, maybe. With the
> normal
> minimal twisting you could realistically expect in
> installing
> a string, no.
> Ron N
>
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