Hey James, That makes good sense and could certainly help explain what I've observed. It also leads me to questions about soundboards that I'd forgotten I wanted to ask: * What is the shape of the crown in a soundboard? * Where is "the crown", and what is its general shape/dimensions? If it's a soundboard-adaptation issue, then the percentage of pitch change should be relative to the shape of the crown. Yes? No? Or am I making absurdly reductive assumptions about soundboards and their behavior? Does that connect with my observation that pitch drops are less stable than pitch raises? Thanks, as always! Annie > -----Original Message----- > From: Pianoman [mailto:pianoman at accessus.net] > Sent: Tuesday, February 06, 2007 1:41 PM > To: annie at allthingspiano.com; Pianotech List > Subject: Re: questions, etc. > > > Hi Annie, > My own theory on pitch raising and lowering has to do with the soundboard > catching up with the pitch change in the wire. I believe the soundboard > takes at least hours to conform to the new tension (whether > higher or lower) > and regardless of how much in one sitting you change the pitch to > stabilize > it will still change more because of the inability of the soundboard to > adopt to the new tension level that quickly. That is why on pitch raises > (over 25c) I come back in 2 weeks after to retune.. > James > James Grebe Piano Tuning & Repair Member of Master Piano Technicians. > Registered Piano Technician of the Piano Technicians Guild for over 30 > years. "Member of the Year" in 1989 > Creator of Handsome Hardwood Caster Cups, Piano Benches, Writing > Instruments,Table Timepieces > (314) 608-4137 1526 Raspberry Lane Arnold, MO 63010 > Researcher of St. Louis Theatre History > BECOME WHAT YOU BELIEVE! > pianoman at accessus.net > Jimpianowood at yahoo.com
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