False beat eliminator, becomes- String straightening, a question

[David Skolnik]

Presumably, the item Jesse refers to is seen in the Schaff Catalog 
(#101 - False Beat Suppressor, P.48).  The generous in our midsts 
might chuckle or drop Schaff a note about perhaps 'suppressing' this 
item in the next catalog revision, or at least significantly 
modifying the descriptive text.  Those less benevolently inclined 
(moi? (rhymes with voila, not viola)) would,  on a slow day, lovingly 
dwell upon and ponder each and every  hyperbolic claim or mis-stated 
fact contained therein, the decisive moment eventually arriving, as, 
at a tasting of fine (or even less fine) wines, after allowing the 
bouquet to fully develop in the mouth: spit or swallow?  And, as 
having to read the last sentence amply proves, there is no such thing 
as "a little torture".  Now, if you'll turn to page  48 and read, silently.



Thank you.  The question raises an excellent opportunity to address a 
corollary issue: how much "straightening" do you do, how, and at what 
point, in the preparation of a newly strung piano?  That would also 
include, I suppose, string stretching, as accomplished with sister 
item #132.  Please turn now to page 46 and read, responsively?


David Skolnik
Hastings on Hudson,NY





At 10:27 PM 2/22/2007, you wrote:
>Has anyone out there ever used the false beat eliminator, and if so, 
>does it really work?
>
>Jesse Gitnik
>NYC
>In it since 1980
>
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