[pianotech] Renotching-Repinning-Reusing Bridges in rebuild

David Love davidlovepianos at comcast.net
Thu Jan 21 16:18:11 MST 2010


That doesn't square with my experience or procedures.  Typically I pull
strings 30 - 35 cents sharp when the piano is first strung.  Once I get it
to stay that sharp then I either let it sit (if I have the time) or go
through and start straightening bends and such and that usually drops the
pitch down quite a bit.  I then do my subsequent over pulls to 20 - 25 cents
sharp and with each subsequent tuning over a week or more lower the pitch
incrementally until it sits at about 5-10 cents sharp where I try and let it
sit for at least another week or so before lowering to pitch.  If the piano
is off to the finisher then I send it out at 20 - 25 cents sharp and by the
time I get it back it's still a bit flat.  Otherwise I gradually with each
subsequent tuning lower the over pull be 5-10 cents until I get some
stability.  Ideally this is done over about a two week period while I'm
working on the action.  I haven't had problems with false beats.
Interestingly, Arledge's recommendation is to overpull the string(s) by 30
cents when first installed and let them sit for 48 hours before trying to
tune to pitch.  Frequently I see pianos that drift more than 15 cents sharp
during periods of high humidity and there don't seem to be any false beats
that develop, at least not those associated with deformations of piano wire.
I think the falseness comes from something else, usually bridge pin or
termination problems.  

 

David Love

www.davidlovepianos.com

 

From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf
Of erwinspiano at aol.com
Sent: Thursday, January 21, 2010 5:05 AM
To: pianotech at ptg.org
Subject: Re: [pianotech] Renotching-Repinning-Reusing Bridges in rebuild

 

  4. We do not over pull new strings more than 15 cents from the git go. We
string up to pitch. go back after there all on and bring them up to pitch
plus 10 to 15 cents.

 

  I feel over stretching wire to be perhaps thee biggest cuplrit to creating
false beats especially in the top octaves. It deforms the wire. How do you
think Brand S gets the last capo section to sound that crappy and loaded
with fase beats. Ok I don't know for sure but from experience I know that's
how we used to get them.

 

  

 

 

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://ptg.org/pipermail/pianotech.php/attachments/20100121/7574e215/attachment.htm>


More information about the pianotech mailing list

This PTG archive page provided courtesy of Moy Piano Service, LLC