> When overdubs are done in a recording studio, a cent or two can make a > difference, particularly in the bass. And if anyone thinks that they > can aurally put C6 in as consistent a place as the SAT (say, within .5 > cents), I will have to see it to believe it. > Regards, > Ed Foote RPT > http://www.uk-piano.org/edfoote/index.html > Yes, Ed, point taken. I was thinking about your post last night, and realized that if I were tuning for multi-day recordings on a regular basis, instead of about as often as lightning strikes, I would use an ETD, as insurance, and also so I could sometimes touch up tunings while being sure that whole areas hadn't shifted a cent or two, instead of doing it all from scratch every day. Okay, my list for when a machine is needed now reads: (1) for someone who is losing hearing in the top octave, but needs/wants to go on working (2) for someone doing regular bulk tuning in noisy environments (3) for someone often doing tuning for recordings ... at least, for checking after the tuning is done aurally, on the second or third day of a session (4) pitch raising? (It's still awfully easy to do that aurally, though the machine might have some edge) (5) someone who often has to tune two or three or however many pianos to each other, without being able to move them so they can be played at the same time. So, I won't get one just yet ................. but I don't think they all belong on the bonfire. Well, I never thought that, I just didn't want to use one. Notice what isn't on the list: a way to start tuning for money without doing one's aural homework first. Regards, Susan -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://ptg.org/pipermail/pianotech.php/attachments/20110128/abd1e648/attachment.htm>
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