---------------------- multipart/alternative attachment In a message dated 6/25/2002 5:40:40 AM Pacific Standard Time, mfarrel2@tampabay.rr.com writes: > Subj:Re: Buldoc wood glue > Date:6/25/2002 5:40:40 AM Pacific Standard Time > From:<A HREF="mailto:mfarrel2@tampabay.rr.com">mfarrel2@tampabay.rr.com</A> > Reply-to:<A HREF="mailto:pianotech@ptg.org">pianotech@ptg.org</A> > To:<A HREF="mailto:pianotech@ptg.org">pianotech@ptg.org</A> > Sent from the Internet > > Terry wrote > > By suggesting a long working time, I meant long reletive to hot hide glue. Hey Terry > >>>>>Oh yeah for sure. any thing is longer than hot hide unless it's > retarded with urea. > I have heard that David Hughes uses cold hide glue to glue in his > soundboards. Is this correct? Does anyone else on this list have any > experience with using cold hide glue for critical glue joints such as > soundboard-to-rim, bridge-to-soundboard, or for a bridge cap? >>>>>>>>>>I use cold hide to glue in the board and to glue the ribs to the board but I think almost any other good wood glue is aplicable for rib to board joints and why not? I've been wondering about using the waterproof tightbond glue for the rib/board joint. I've used cold hide in rib glue up for its open time and ease of cleanup but also it dries glassy hard in a few weeks as hot hide does. I've used hot hide a time or two to glue on bridge caps. Must move quickly! > To remove the Buldoc glue, he recommends moisture to soften it, and then > scrape it off. I wouldn't be suprised that it sounds easier than it > actually is to do, hence the question above. >>>>>>Probably so Dale Erwin > > Terry Farrell > > ----- Original Message ----- > From: <Erwinspiano@AOL.COM> > To: <pianotech@ptg.org> > Sent: Monday, June 24, 2002 10:32 AM > Subject: Re: Buldoc wood glue > > > > In a message dated 6/22/2002 2:36:15 AM Pacific Standard Time, > > mfarrel2@tampabay.rr.com writes: > > > > > > > Subj:Re: Buldoc wood glue > > > Date:6/22/2002 2:36:15 AM Pacific Standard Time > > > From:<A HREF="mailto:mfarrel2@tampabay.rr.com">mfarrel2@tampabay.rr.com</A> > > > Reply-to:<A HREF="mailto:pianotech@ptg.org">pianotech@ptg.org</A> > > > To:<A HREF="mailto:pianotech@ptg.org">pianotech@ptg.org</A> > > > Sent from the Internet > > > > > > I haven't found the working time to be that long. It sets up > quite > > > quickly which I like for some things. Also I feel sorry for the next > guy > > > who trys to pry that substance off the inner rim of a stwy or whatever > in > > > 40 years or less. Its a Devil to get off .Ask me how I know? > > > > Dale Erwin > > > > > > > > I have not used the glue myself, but rather watched Andre and his son, > > > Christen, glue in a soundboard and glue in bridges with the glue. His > claim > > > is that it handles like Titebond (long working time, ease of use), but > sets > > > up glassy-hard like hide glue. > > > > > > Terry Farrell > > > > > ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/5c/ac/0f/38/attachment.htm ---------------------- multipart/alternative attachment--
This PTG archive page provided courtesy of Moy Piano Service, LLC