Long discussion, lots of stuff back and forth on this in the archieves "Damage at cellular level" is like a real can of worms and in reality can just as easily interpreted in this application as a positve more then a negative. The fact that it is 100 years old is also a positive in many minds. Making pianos is simply not just a matter of engineering principles and mathematics... in fact these tools are far less useful then many here would like to have it. They become totally useless in my mind, when they define away any musicality that does not conform to their parameters. How does the piano sound, how long can it last... that is in the end the primary concern. Re-ribbing old panels is a fairly common proceedure over here, and I can assure you they sound and perform quite well... despite whatever concerns about the lack of some stiffness or other presumed negatives based on whatever understanding of relavant engineering principles these concerns stem from. Heck... even Del a few years back stated straight out that such a panel should sound and perform virtually identical to a new panel similarilly rib crowned... and its easy enough to find that series of posts between him and I. I reacted immediatly to the claim that on the one hand you had this "compression damage" thing that virtually rendered the panel useless, then on the other hand this same useless peice of wood could be rib-crowned and made to function just like a new rib crowned board. I still dont see that a clear explaination to that seeming contradiction was ever supplied... but clearly that must be because of some lack of understanding on my part. Cheers RicB David Love wrote: >Why would you trouble yourself to take the ribs off a panel that has >damage at the cellular level and then use it again with new ribs. >Especially in the upper end of the piano where much of the stiffness is >provided by the panel and not the ribs, this seems like folly to me. >That panel you are trying to salvage bears no resemblance to the panel >that was originally installed once it's gone through 100 years of >expansion and contraction. > >David Love >davidlovepianos@comcast.net > > >
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